A 1:1 CONCERT features a 10 min. non-verbal 1-to-1-encounter between a listener and a musician. The opening eye contact and ensuing mutual gaze is the impulse for a very personal concert where both sides experience an unprecedented intensity allowing proximity from a distance. The concert attendees do not know who is going to play. Whether they hear a jazz saxophone, a double bass or a baroque flute will come as a surprise. Moreover, the concept explores extraordinary concert venues – concerts can take you to an art gallery, a quiet backyard, an empty factory hall or an allotment garden.
1:1 concerts started already in 2019 in a small rural monastery in Volkenroda (Thuringia/Germany). During the lock-down the idea of intimate 1:1 concerts spread from a small monastery in rural Germany to many cities and places and crossed borders to the Netherlands, France, Austria, and even to India and Australia. More will follow. Both listeners and musicians report that the 1:1-format creates a very intimate and intense experience of belonging and giving. At the same time it is a unique way to enjoy music and connect to a person and to art. Donations go to an emergency fund for musicians.
To experience community and belonging you do not necessarily need a large group of people. The special moment of being 1:1 with a musician, artist, writer, reader in an performance which is just for you comes as a surprise of feeling a sense of community and deep emotions for both – performer and listener. 1:1-concerts, readings, art or cultural encounters are easy to replicate and to organize. The 10minute-format and the meeting of two people without words only needs small preparation on no permits. They can happen everywhere, even in your garden or backyard. Spread the idea!
Starting from a few existing CSO’s a call went out for communities to come together across Cape Town to support those vulnerable during lockdown. In no time at all over 200 CAN’s had sprung up over Cape Town, self organising in a flat hierarchy, organising to support the rapidly rising number of people without income due to the strict lockdown measures, the number of people going hungry rising rapidly daily. Using whats app and zoom calls these CAN’s were learning from each other and networking, with CAN’s from better resourced areas pairing up with CAN’s from under resourced areas.
At present, the CAN’s are doing more than the SA government to feed those who are going hungry due to strict lockdown measures through a network of community kitchens, as COVID numbers are now rising CAN’s are now organising to put together ‘Community Care Centres’. Gardening initiatives are springing up in every part of town.
An initiative that involves women from the residential community of Surat, India, cooking five extra rotis each has become a massive lifeline for migrant workers who are suffering amidst the COVID-19 lockdown. The initiative was started by NGO, Surat Manav Seva Sangh ‘Chhanyado’. Women from across the city cook extra rotis or flat bread that are collected and taken to the NGO’s community kitchen in the city. The kitchen is staffed by 16 women who exclusively make vegetable curry and chili pickle, packing the rotis collected from the households along with it. The food packets are then distributed to about 35,000 people in need in different parts of the city.
Story from India.
Read more here or at the Community Tool box.
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Food service professionals and other community members are stepping forward to ensure no child goes hungry. Millions of kids across the US rely on school meals for essential nutrition. Communities are getting creative; some schools are delivering meals or hosting meal drive-throughs for families. Learn more about these efforts in this article from 安卓手机shadowsock教程
Story from the USA.
Read more here or at the Community Tool box.
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We gathered a group of [female] mental health workers with different links to public university – professors, technicians and post-graduate Psychology students – and we created an emergency response project for women in domestic violence situations. The psychology sessions are conducted via Whatsapp and preferably in groups of 3 to 4 women with a facilitating technician. Additionally, we have social network pages that offer the contacts for guidance and legal and health services for the women, and a group of writers which can exchange experiences just by writing a collective diary.
The mutual aid groups online have expanded via referrals from the women among themselves and publicizing on social networks (Facebook and Instagram), where the posted instructions might have reached more women than just the ones that accessed the groups. The psychologist and services network involved also expanded with the suggestion of integrating a project which would help other women. The professionals understood that it is possible to increase access to an audience which would not look for them and women who wouldn’t be motivated to find psychological aid found out that they can make use of it to take care of themselves and break with cycles of violence.
Story shared by Simone Paulon, Brazil
More info at the project’s Facebook page or at simonepaulon@gmail.com
Nora Bateson is an award-winning filmmaker, writer and educator, as well as President of the International Bateson Institute, based in Sweden. Her work asks the question “How we can improve our perception of the complexity we live within, so we may improve our interaction with the world?”. An international lecturer, researcher and writer, Nora wrote, directed and produced the award-winning documentary, An Ecology of Mind, a portrait of her father, Gregory Bateson. Her work brings the fields of biology, cognition, art, anthropology, psychology, and information technology together into a study of the patterns in ecology of living systems. Her book, Small Arcs of Larger Circles, released by Triarchy Press, UK, 2016 is a revolutionary personal approach to the study of systems and complexity.
As an educator she has developed curricula for schools in Northern California and produced and directed award winning multimedia projects on intercultural and ecological understanding. Her work, which has been presented at the world’s top universities, is described as “offering audiences a lens through which to see the world that effects not only the way we see, but also the way we think”. Nora’s work in facilitating cross-disciplinary discussions is part of her research into what she calls “the ecology of the conversation”. Her speaking engagements include keynote addresses and lectures at international conferences and universities on a wide range of topics that span the fields of anti-fascism, ecology, education, the arts, family therapy, leadership, and many more aspects of advocacy for living systems — she travels between conversations in different fields bringing multiple perspectives into view to reveal larger patterns.
Memberships and awards: Chairman International Bateson Institute, Associate of The Taos Institute, Board Member: Human Systems Journal of Systemic Practice, Tallberg Foundation, Fellow of Lindsifarne Foundation, Bateson Idea Group (BIG), Club of Rome, Great Transition Foundation, Human Potential Foundation, Awards: Sustainable Thompkins Ecology Award, Winner Spokane Film Festival, Winner Santa Cruz Film Festival, Media Ecology Award.
The source: http://batesoninstitute.org/nora-bateson/
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Our village’s ladies social group (on Whats app) discussed soon after lockdown, what could we do for local residents. It was agreed that we could together, do some practical tasks such as shopping, dog walking or phone calls to help combat isolation. One person volunteered to advertise their home phone number, a “flyer” was produced that offered all kinds of practical and emotional help to residents and to ring the main volunteer’s number, who would then arrange others to undertake support tasks. The leaflet was distributed to every household in the village by a number of volunteers.
Leaflet given out to every household. A number of people requested help with shopping for essential items and were allocated a volunteer.
It was quick and easy to do. Sharing tasks meant no one person was trying to do everything. People felt support was there (even if they didn’t need it). It linked to Nextdoor ap which was used throughout UK.
Story shared by Cath Howard, United Kingdom.
For more info please contact at cath.papcastle@gmail.com
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It was a 6 year old boy’s birthday and he could obviously not invite his friends to a birthday party. They stay in a suburb where people stay behind high walls to protect them against crime and people do not really socialise. In an effort to make something of the birthday his mother phoned the people in her street to ask if they would participate in making his birthday special by putting a little present for his birthday at their gate the next morning. Everyone was lockdown so they could not buy special presents.
On his birthday the mother took the boy for a drive in the street and stopped at each gate where a little present was placed. Much to their surprise almost everyone in the street participated and the boy was delighted by all the surprise presents. The little boy was very happy with his surprise birthday and that was the beginning of people in the street talking to each other.
People need a little stimulation to reach out to others. The difficult situation lead the mother to reach out to neighbours and the neighbours were keen and willing to participate. Most people are keen to experience a sense of community.
Story shared by Maretha Visser, South Africa
More info please contact: maretha.visser@up.ac.za
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The Covid-19 pandemics changed everything for the ‘Klangkunst’-Choir we are proud to be part of: the lock-down stopped a perfectly planned trip of the choir in April to New York City to perform ‘Carmina Burana’ at Carnegie Hall. Even worse, like for many other music groups, it went from ‘very busy’ preparing performances to ‘no rehearsals at all’ on to ‘online rehearsals restricted by internet quality’ and ‘singing on your own at home’.
Our longing to sing together created inspiring ideas: to meet as a regular choir was impossible due to Corona restrictions; but when public rallies with up to 50 people have been allowed again by local authorities, Andrea, our choir director, asked for permission for a public rally called ‘Klangkunst Choir Public Rehearsing’. Physical distancing and each singer’s individual place has been assured using colorful knots on a ‘chorus line’ (see picture).
Singing in the parking lot in the back of the town hall 6 feet from each other has been both a special and beautiful experience for all of us: late April has been cold, but lovely in Germany and it was not easy to listen to your singing buddys. But, the idea of singing in public inspired us and changed our view of the value of not only doing music together but also feeling as a community and sharing our common passion.